
Courtney Kalbacker, DMA
Assistant Professor of Music- Voice
Director of Opera
Fine Arts Center C114
706-667-4872
Courtney Kalbacker, DMA, is a sought-after opera producer/director, voice instructor, researcher, and performer who is proud to serve as an Assistant Professor of Music in Voice and the Director of Opera at 麻豆国产AV. Dr. Kalbacker focuses on creating compelling communication and connection, whether she is onstage, backstage, or in the classroom.
As a passionate educator and advocate for developing singer-actors, Dr. Kalbacker originated and taught the Acting for Singers curriculum for Boston University Tanglewood Institute for five seasons. As a Lecturer in Voice and the director of the opera ensembles at Towson University for 7 years, she produced and directed multiple productions each year and led their touring Opera for Children Ensemble, while maintaining a full voice studio. Her private students have attended top conservatories, won national competitions, and sung in major theatres and ensembles.
Dr. Kalbacker is also the General Director of the Summer Music in Tuscany Festival, a chamber music and opera festival that takes place yearly in Sarteano, Italy with performers from across the world.
Dr. Kalbacker has produced or directed over 40 operas in the last 15 years. Her experience has included positions with UrbanArias, Lyric Opera Baltimore, Peabody Opera (Peabody Institute), Baltimore Concert Opera, Michigan Opera Theatre, Live Arts Maryland, Silver Finch Arts Collective, Boston University Tanglewood Institute, and Oklahoma City University among others. Notable engagements include reviving Michael Ching鈥檚 A Midsummer Night鈥檚 Dream with new orchestration, directing the short comedic operas Service Provider and The Whole Truth with UrbanArias, Assistant Directing Madama Butterfly at Michigan Opera Theatre, and directing the American premiere of Errollyn Wallen's ANON for Peabody Opera. Her productions have been critically-acclaimed; in 2022 both of her stagings of Menotti鈥檚 The Telephone (Towson University) and The Consul (Opera Baltimore) were selected as National Semi-Finalists for the American Prize.
A dynamic soprano herself, Dr. Kalbacker was a district winner of the Metropolitan Opera National Council Auditions. She sang regularly with the Washington National Opera as a soprano chorister and principal ensemble member and has appeared with Annapolis Opera, Lyric Opera Baltimore, Hub Opera Ensemble, Victorian Lyric Opera, and others. Favorite past principal roles include Zerbinetta, Ariadne auf Naxos; Mrs. Ford, Die Lustigen Weiber von Windsor; Baby Doe, The Ballad of Baby Doe; Adele, Die Fledermaus; Mabel, The Pirates of Penzance; and Angelina, Trial by Jury. Kalbacker鈥檚 performances as the originator of the one-woman monodrama The Young Wife (by Katarzyna Brochocka) were highly acclaimed internationally at the Warsaw Chamber Opera and Kingshead Theatre, London, as well as at the 2013 Capital Fringe Festival in Washington, D.C.. Kalbacker also greatly enjoys oratorio and sang in the 8-person professional vocal consort, the St. David鈥檚 Singers, in Baltimore for nine years, performing works that span music history: from Hildegard von Bingen to Bach to frequent contemporary commissions.
Kalbacker holds a doctorate from the University of Maryland and completed a Master of Music degree in Opera Performance from Oklahoma City University, a Bachelor of Music in Vocal Performance from Boston University, continuing education courses in Vocal Pedagogy from Westminster Choir College, and a Certificate in Arts and Culture Strategy from the University of Pennsylvania and National Arts Strategies. She has a special interest in the intersection of Speech Language Pathology and Vocal Pedagogy. Her areas of research include the operatic/song compositions of unsung women of the early 20th century including Eleanor Everest Freer and E. Adaiewsky, along with the study of trauma-informed vocal pedagogy. She has presented at conferences both nationally and internationally including the National Opera Association Conferences, TU FACET Conferences, the Music by Women Conference, and the Institute for Russian Music Studies.